Sometimes, for even the most talented of photographers, no strobes are necessary. Heck, not even added continuous light sources (besides the sun). Such is the case in this video from GQ behind the scenes with Mark Seliger.
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Below is a video clip that's 22 minutes in length, but don't bother watching it all. Advance to 15:37 and watch 5 seconds of it, where White House Chief of Staff tells a reporter for Washington Life Magazine "The First Amendment is highly over-rated" while he arrived at The White House Correspondents Association Dinner in 2009. Over-rated? Really? Was Rahm joking, or is this what he really believes?
(Apologies that apparently you have to wait for the entire video file to load before you can advance to that point in the video.)
Come for a day, or really treat yourself and come for all three days - it is, HANDS DOWN, the most cost-effective solution to learn all about lighting/multimedia/Final Cut/etc.
This battery, by ebay seller scr-boya (other listings here) lists the following features:
-Capacity:1900mAh
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-Input:5V 0.8A
-Output: 5V 0.5A
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(click to enlarge)For World Press Photo 2010, the bar has been raised to a high level with the new requirement of the submission of RAW image files for review alongside any image that the judges suspected were excessively manipulated. Below is the collection of images for review:
The DQ'd entrant, Stepan Rudik wrote over at PetaPixel (here) in part "...I do NOT argue the decision of the jury...." and then he goes on to attempt to justify the alteration he made, and then hopes " I believe this explanation is important for my reputation and good name as a reportage photographer."
Yesterday, Getty Images CEO Jonathan Klein was interviewed for almost four minutes about the Getty deal with the Olympics on CNBC. At about 2:28 into the interview, the issue of the Tiger Woods image made recently was raised (see link in 'Related' at end of article), and at approximately 2:47, Klein says "... we don't do paparazzi images..." and I about fell off my chair. In fact, when I read it over on Paul Melcher's Perception Management blog post, I couldn't believe it, I had to watch it myself, so, before I go any further, and to avoid and suggestions about taking something out of context, here's the video to watch for yourself:
pa·pa·raz·zo (pä'pə-rät'sō)
n. pl. pa·pa·raz·zi (-sē)
A freelance photographer who doggedly pursues celebrities to take candid pictures for sale to magazines and newspapers.(Source: Dictionary.com)
Ok, with that established, I'll encourage you to head over to Paul Melcher's blog (here) and look at several of his examples of 
The FUTURE of all photographic uses is digital. No one doubts that print will be the antiquated backwater in just a few years. Learn from the mistakes of the publishing industry which gave away its content for free and then watched their print income evaporate, almost overnight. Learn from the publishing industry that ad/usage rates in the online arena had to be a sustainable figure on its' own, and not a parlor trick on a balance sheet.
Your images - your intellectual property - must be valued in both print and digital/online realms at a sustainable level. Just as photographers survived the shift from film to digital by establishing pricing models that were sustainable, and shunned the notion that clients attempted to foist upon us by saying "it's digital, so it's cheaper, just give me a jpeg." Now is the beginning of the time where the shift to digital will become even more pronounced, with the Wall Street Journal and New York Times beginning the shift to charging for online content, and the iPad setting the stage for the next evolution, just as the iPod/iTunes duo set the stage for the future of digital music.
Below is a great WIRED Magazine video on their iPad version:
No, go and read Paul Melchers piece - Share It - where he does an excellent job in advising you about avoiding a few of the pitfalls that are just down the road.
While Richard has submitted a ballot statement, he also answered a series of questions and answers that were posed from the membership. His ballot statement is here, and the ASMP Q&A is here. However, we thought it of value to continue our "10 Questions for..." series, and call upon Richard for his answers. Below are his answers to our questions, and while yesterday marked the first day you could cast your ballot online here, I encourage you to first read his answers, and then, yes, go vote for him You'll need the password that ASMP e-mailed you with the subject line "Your ASMP election information".
For the last 3 years in my board role, I've had an opportunity to move the needle on important initiatives for photographers across the country. My role as President allows me to directly impact the profession we all pursue so passionately--so yes, I'd like to return as President to continue working for our members.2. What achievements are you most proud of during your tenure on the ASMP board?
Education has been a big part of my agenda, so as a board member Strictly Business 2 and the continuous growth of the ASMP seminars series are both important achievements for me.3. Aside from the achievements in #2, what achievements or projects during your term as President are you most proud of?
In the big picture, its been the opportunity to take a critical look at the short and long term challenges and opportunities both for publication photographers as well as ASMP, and then applying that research to writing the new Strategic Plan. That plan is the map that ASMP will navigate over the next five years and it was important for us to have a master plan with clear outcomes that will positively impact the industry.
I spoke to a number of members when I started this role, and what I heard most often was that they wanted more information from the organization. I think we've made great strides in improving the ways and frequency of how we communicate with chapter leaders and members. We want members to be informed about the industry at large--as well as about what ASMP is doing in response.4. If you are re-elected to the board and in turn, for a second term as ASMP President, what one or two projects are you most excited about?
Under my leadership, ASMP has embraced social media not only as a means of communicating with members but encouraging our members to learn and use these new tools. ASMP was the only photography organization to have a professional analysis of social media companies terms of service agreements, arming the larger community of photographers with information they could use when utilizing these web services.
I also initiated both the multimedia and motion video educational programming and went the next step by creating the motion video study group, which delivered an industry resource for photographers now creating motion video for clients. http://asmp.org/tutorials/video-tutorial.html
Looking out beyond today, I challenge the board to think differently, I encourage our members to think about what it means to be a professional, in an age when everyone with a camera is a photographer, I emphasize the need to renew our focus on copyright and register our work with the copyright office and give people the knowledge to do this by hosting hands-on workshops.
This focus on copyright goes beyond the actions of our members--its also working with software companies, independent developers and the copyright office to create registration access during the photographers regular workflow, and being part of the conversation with the big thinkers of copyright in New York City at the Registration Counts Symposium April 21, 2010. http://asmp.org/content/registration-counts
Continuing what I started, pushing ASMP and publication photographers to expand business strategies and models to adjust to our new economy and business demands. ASMP is the thought leader of our industry and I want to take that up a notch. But what photographers really need today is advocacy and education to help them move their businesses in a new direction.5. How do you see the creative landscape for photographers (i.e. ASMP members) in the coming next few years?
This is a great time to be a photographer, the opportunities for telling your story your way is unprecedented. It is very exciting when I see photographers using these new platforms.6. How do you see the business/economic landscape for photographers (i.e. ASMP members) in the coming next few years?
It is going to be challenging--not just for ASMP members and photographers but for small businesses in general. We'll survive only if we venture forward and leave behind some of the 'way it used to be done' thinking, in favor of, 'how can we do it better?'7. How do you think that ASMP will serve its members as it regards the landscape of dealing the the realities of business in the near term?
We continue to focus efforts on opportunities for photographers to expand their markets and creativity. There is not one solution that will work for every photographer, but we want to provide them with educational and support resources to rethink their businesses.8. ASMP, I believe, benefits from full-time working photographers serving on the board, because they know in a way no one else can, the realities of being in business. Can you share a few of your recent assignments with us (with or without naming clients, as you are comfortable)?
In my market I do primarily editorial and corporate assignments. In Pittsburgh, that translates into annual reports and features about business and innovation. I am currently working on an annual report for a non-profit that has me traveling throughout the state and I just completed two editorial projects featuring people who are making a difference in the community.9. It seems that ASMP has grown in the past few years. How do you envision the growth of ASMP will be in the near term?
I believe ASMP is offering photographers very targeted and relevant information and resources and I do not see any other photographer group offering what we offer. In the past year, many new professionals are entering the freelance world especially from newspapers and these photographers want the same resources that the longstanding members want and need. This is the growth ASMP is seeing and will continue to see short term.10. How has what you have learned as an ASMP member benefited your bottom line?
That my peer network is unparalleled in helping me resolve challenges, that I can't ever ignore marketing and that I can't stop moving at the speed of the rest of the industry.If you don't vote, then you have no right to complain.
