Tuesday, September 30, 2008

Adobe and DMCA Liability In An Era of Orphan Works

Adobe (NASDAQ: ADBE) has a potential liability on their hands if it does not properly warn users of Adobe Photoshop (and others) that when they choose "Save for Web and devices..." that they are stripping all of the metadata (including ownership information) from the files, unless they take the action of choosing "Include XMP" within the save dialog box.

By removing this information, not only is Adobe (and not just Photoshop, but all their applications) risking being in violation of the DMCA (and subject to criminal and civil penalties) but this extends to international issues of moral rights (a.k.a. droit morale) which, under international law, the removal of this information from creative works is expressly prohibited.

(Continued after the Jump)

This has been an issue since 2004, when Adobe, in an effort to assist users with creating the smallest files possible for the web, created this feature, since prior to that, you had to choose to not include previews, thumbnails, and so forth, in the 'file saving" preferences. It wasn't until November of 2007 that a "bug" was noticed in Adobe CS3 and fixed, which moved the "Include XMP" to the "fly out menu", which was previously buried in another menu. The problem remains, however, that when choosing "Include XMP", it does not include that same data in the legacy IPTC fields, so if your client is looking for ownership information in the Preview program on a Mac, some PC applications, older version of Photoshop, and so on, the ownership information would not be seen. Since Jeff Sedlik, CEO of the PLUS Coalition, has been working closely with Adobe on metadata and rights issues related to the PLUS standards, we asked him if he was aware of these problems. "I first brought the metadata preservation issue to the attention of Adobe engineers in January of 2005. Specifically, I proposed that Photoshop and other Adobe products should preserve metadata by default, even during a “save for web” operation. Months later, I notified Adobe of a bug related to the Photoshop’s preservation of metadata. In both instances, Adobe was very receptive and promptly acted upon the proposals.” Sedlik noted that Richard Anderson/ASMP, Bill Rosenblatt/Giant Steps and others worked in parallel on the issue.

Yet, the integration has not been done to include the ownership in both XMP and IPTC when used in Photoshop, so if you had ownership information in just the IPTC, which would include the many thousands of images you may have saved pre-XMP, there is a potential risk that it would get stripped, unless it was migrated into the XMP as well.

According to the Digital Millennium Copyright Act (DMCA) the operations of Adobe's Photoshop and other applications - specifically take place without informing the user that it is happening - and thus removes “copyright management information” from protected works that have been worked on in Photoshop and saved, including photos and graphical illustrations.

We are going to see more and more issues about ownership of creative content moving forward, and Adobe could well be culpable in DMCA violations. Sedlik reports that he earlier proposed that Adobe display a DMCA warning pop-up when user either turns off the default metadata preservation setting or attempts to edit or delete rights metadata. Sedlik has further proposed to Adobe that “file info” panels should include explanatory text and links to help users to understand the DMCA and the importance of metadata preservation.

Proposals to "lock" metadata are flawed as well. The notion that once any metadata is written is cannot be removed is just like putting a lock on a straw door, it's a false sense of security, as it's very easy to delete or edit any metadata. (John Nack at Adobe answers this on his blog here).

In addition, confirmation of the setting of metadata being included by default should be in plain view , and maintain the copyright and ownership data in both the IPTC (IIM and XMP) and PLUS fields. It's critical that these choices to preserve that metadata shouldn't be so hidden. Frankly, all of the above should be implemented, to ensure the best protection for Adobe and their unknowning customers.

Any argument that the addition of a few hundred bytes of data is going to adversely affect the file size of a JPEG is trumped by the importance of ownership data remaining an integral part of the file as it traverses the internet.

Any argument that Adobe should not be responsible for these issues and contributory infringement need only look to what happens in Adobe when you try to scan in US currency, from Photoshop CS and later. Clearly, Adobe is concerned about liability on currency, so too on the liability of who the owner of the intellectual property that it's applications were used on should be a concern to them.

In January of 2004, when Adobe added this capability, in this AP piece Adobe "acknowledged Friday it quietly added technology to the world's best-known graphics software at the request of government regulators and international bankers to prevent consumers from making copies of the world's major currencies", and quoted Adobe as saying the currency protection technology "would have minimal impact on honest customers." So too would the warnings and default settings have a minimum impact on honest users when it comes to the intellectual property of photographers and illustrators.

This will become a huge problem once whatever form of Orphan Works gets passed, but Adobe needs to be out infront of this issue, and the change of a default setting, or the addition of a warning box could easily be a "dot-release" addition, since it's not a feature, it wouldn't be something that would be subject to the Sarbanes-Oxley Act, (example of the Sarbanes-Oxley issue here), and Carolyn Wright, over at Photo Attorney, notes a cautionary warning here back in 2007.

While I'd make the educated guess that less than 2% of Adobe's customers are photographers, and probably less than 15% of Photoshop users are photographers, these settings, across the board of Adobe's application line, potentially affect all of Adobe's customers both in the liability of creating an Orphaned Work, as well as the DMCA liability of stripping ownership metadata from the images.

Please post your comments by clicking the link below. If you've got questions, please pose them in our Photo Business Forum Flickr Group Discussion Threads.

16 comments:

Brukewilliams said...

The orphan works dilemma needs to be solved. Just not this way. Museums and libraries find their missions frustrated by an inability to identify and contact rights holders. As a result, important works are unavailable to the public, and aging, disintegrating works cannot be preserved by duplication, which might violate the rights of unknown rights holders.
------------
Brukewilliams
Social Media Marketing

Cameron said...

Bruke,

Why not this way?

If you found an image on the web and the metadataa was stripped, you may not find the creator. If you find work that the metadata is included, then it makes your job of contacting the creator easier. This is a win-win for creators and museums/libraries that need to credit creators.

Cameron

Jim Goldstein said...

I believe this goes far beyond Adobe. Clearly with their image creation/editing software they're going to be at the heart of this discussion. The other end of this issue will be with online photo publishers. Flickr for example, as with every other photo sharing site, strips the metadata from every image they resize. At least with Flickr the only size file to retain the metadata is the original size you upload. More traditional online publishing outlets (online papers, magazines, etc.) will have to also keep the metadata in place. Looking forward preservation of metadata in published files will be as important as photo credit lines in future licensing contracts.

RazorianFly said...

I agree. Adobe should not strip this information from works created by it's graphic packages. After saying this, I also agree with Bruke (above). This is not the way to resolve this growing problem.

Metadata is essential, without it - as you say their software is being pirated - without penalty (in most cases), and creative works have no 'known' author.

Metadata exists for this very reason, so Adobe stripping it, and not visibly informing the user of doing so, is notably wrong.

Cheers for the link-back regarding Sarbanes-Oxley.

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元美女 said...

(法新社a倫敦二B十WE四日電) 「情色二零零七成人影片」情趣情色產品大產自二十色情三日起在倫敦的肯辛頓奧林匹亞AV女優展覽館舉行,倫敦人擺脫對性的保守A片態度踴躍參觀,成人影片許多穿成人網站皮衣與塑膠緊身衣的好色之徒擠進這項世界規模最大的成人生活展,估計三天展期可吸引八萬多好奇民眾參觀。

情色電影活動計畫負責人米里根承諾:「要搞浪漫、誘惑人、玩虐待,你渴望的我們都有。」

他說:「時髦的設計與華麗女裝,從吊飾到束腹到真人大小的雕塑,是我們由a片今年展出的數千件產品精選出的一情色部分,參展產品還包括時尚服飾、貼身女用內在美、鞋子、珠寶、玩具、影片、藝術成人電影、圖書及遊戲,更不要說性愛輔具及馬術裝備。成人電影

色情參觀民眾遊覽兩百五十多個攤位,成人網站有性情色電影感服裝、玩具及情色食品,迎合各種品味。

大舞台上AV表演的是美國野蠻搖滾歌手瑪莉蓮曼a片下載森的前妻─av全世界頭牌脫衣舞孃黛塔范提思,這是她今年在英國唯一一場表演。

以一九四零年代色情影片a片格演出的黛塔范提思表演性感的天堂鳥、旋轉木馬及羽扇A片下載等舞蹈。

參展攤位有的推廣情趣用av女優品,有的公開展示人體藝術和人體雕塑,也有情色藝術家工會成員提供建議。

Anonymous said...

^^ nice blog!! ^@^

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Anonymous said...

^^ nice blog!! thanks a lot! ^^

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原子小金剛 said...

(法新社a倫敦二B十WE四日電) 「情色二零零七」情趣產品大產自二十三日起在倫敦的肯色情影片辛頓奧林匹亞展覽館舉行,倫敦成人影片人擺脫對性的保守態度踴躍參觀,許多穿皮衣與塑膠緊身衣的成人電影好色之徒擠進這項世界規模最大的成人生活展,估計三天展期可吸引八萬多好奇民眾參觀。

活動計情色畫負責人米里根承諾:「A片要搞浪漫、誘惑人、玩虐待,你渴望的我們都有。」

他說:「時髦的設計與華麗女裝,從吊飾到束腹到真人大情色電影小的雕塑a片,是我們由今年展出的數千件產品精選av出的一部分,參展產品還包括時尚服飾、貼身女用內在美av女優、鞋子、珠寶、玩具、影片、藝術、圖書及遊戲,更不要說性愛色情輔具及AV女優馬術裝備。」

參觀民眾AV遊覽兩百五十多個攤位,有成人電影性感服裝、A片下載玩具及情色食品,迎色情合各種品味。

大舞台上表演的是美國情色電影野蠻搖滾歌手瑪莉蓮曼森的前妻─全世界頭牌脫衣舞孃黛塔范提思,這是她今年在英國唯一一場表演。

情色成人影片九四零年代風格演出的黛塔范提思表演性感的天堂鳥、旋轉木馬及羽扇等舞蹈。

a片參展攤位成人網站有的推廣情a片下載趣用品,有的公開展示人體藝術成人網站和人體雕塑,也有情色藝術家工會成員提供建議。

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